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The work of contemporary artist Mitch Griffiths apprehends the viewer through a dissection of twenty first century existence.

Richly  detailed, viscerally layered canvases disclose scenes which simultaneously examine notions of empire, guilt, celebrity and first world entitlement; whilst proffering to expose the essential vacuity of a society drenched in mass media and consumed by consumption itself. Griffiths employs an unflinching high realism to pick apart ideas which promise to haunt with an unnerving familiarity.